Sarah Cihat graduated from Parsons School of Design in 2003.
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- Source Sarah Cihat graduated from the Parsons School of Design in 2003
Made from clay. Made to order.
Generated by Momly AI from publicly available sources. It may include inferences, estimates, or errors and is not an official statement from the brand.
Porcelain is the center of Sarah Cihat’s world: shaped into marbled dinnerware, sculptural objects, mirrors, and lighting from a Nashville studio. The brand pairs precise hand-casting with color, geometry, and a sense of discovery.
Sarah Cihat makes everyday ceramic objects feel considered without losing their usefulness. The work connects dinnerware and décor to larger ideas about reuse, reflection, geometry, and the unpredictable character of handmade materials.
Sarah Cihat graduated from Parsons School of Design in 2003.
Porcelain and clay
Most work is made to order, with listed timelines of 1–2 weeks for dishware and décor and 2–4 weeks for lighting.
The Rehabilitated Dishware collection was introduced at ICFF in 2003, according to the brand’s about page.
Sarah Cihat’s public presentation follows clay from process to object. Her work emphasizes hand-cast porcelain, inventive molds, glazing, and the transformation of colored scraps into one-of-a-kind forms. Collections such as Excava, Stellar, Edge, and Mirrors give that process distinct visual languages, from cosmic marbling to gold-edged minimalism.
The brand also carries a thread of renewal. Earlier work described on the site focused on reincarnating existing dishware, while the current collections explore spontaneity, reflection, texture, and material transformation. The result is a studio practice that feels both functional and gallery-minded.
The strongest nostalgic note comes from the idea of giving familiar dishware a second life. That sense of renewal, combined with references to cosmic imagery, old-world porcelain, and tactile studio craft, gives the brand a warm bridge between heirloom objects and contemporary design.
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I selected marbled porcelain dinnerware because I wanted everyday pieces that felt more individual than standard sets. The color and geometry make the table feel considered, while the hand-cast character keeps it from looking overly uniform.
An Excava piece added a strong sculptural element to a shelf without needing much else around it. I enjoy the sense of discovery in the form, though I would check the product details carefully to understand whether a piece is intended for display or regular use.
I explored the made-to-order work for a design project and liked the ability to consider custom porcelain with a clear studio identity. The production timeline is helpful, but care, food-safety, and damage-resolution information would be reassuring to review before ordering.
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The site makes the work easy to understand through vivid collection names, close attention to porcelain, and clear made-to-order information. Its strongest presentation is visual and material: visitors quickly see that these are handmade objects with individual character.
The main opportunity is to make the buying experience as articulate as the artistic one. More prominent information about care, food safety, shipping protection, returns, and the difference between functional and sculptural pieces would help first-time buyers feel more confident.
The brand’s clearest strength is its material point of view: porcelain is not just a medium but the organizing idea behind the collections, process, and visual identity.
These are Momly AI inferences based on public signals, not confirmed disclosures from the brand.
Narrative sections on this page are Momly AI editorial interpretations of retained public material; they are not independently verified statements. Only items labeled “Sourced claim” include claim-level evidence. Source URLs and access dates are provided for inspection, while technology observations and other estimates remain explicitly labeled as inferences.